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Lot # 303 - Egypt. Alexandria. Trajan, 98-117. Drachm (Bronze, 33.80 mm, 21.44 g). Dated L I (B) = year 12 (108 / 109 AD). [ΑΥΤ TPAIAN CEB ΓEPM ΔAKIK] Laureate and draped bust of Trajan right, partially seen from behind. Rev. Anepigraph; In the centre, temple facade in egyptian form with two lateral pylons each equipped with four windows and linked each other by the entrance portal upon which is standing, facing the pharaonic anthropomorphic deity Horus dressed with the ritual tunic and “pshent” crown on head. She has in her left hand the “unas” sceptre and right arm stretched out at her side; at her feet on the left, a small animated image facing (Harpokrates). In the field, at sides the date L I B. Vogt I, pp.70-78. Vogt II, p. 29. Dattari-Savio 7279, this coin, plate 59. RPC III 4330.1 (not 4330.3 as incorrectly indicated). Emmett 521. Staffieri G. M., “Il tempio di Horus a Edfu nella monetazione alessandrina” in “Quaderni ticinesi di Numismatica e Antichità Classiche” (NAC), XLVII, 2018, pp. 237-249. Very fine for the coin type. Ex Giovanni Dattari Collection 7279, Il Cairo. Ex Naville Numismatics 47, 03.03.2019, lot 261. Coin of fundamental iconographic interest and of absolute rarity attends its improper position described in RPC III 4530.3 as well as, despite the correct description, the incorrect attribution in RPC III 4330.1 of the items Dattari 1160-1161-1162. The importance of the drachm lies in the reverse where the Egyptian temple represented is impressively similar to that of specimen 1161 illustrated in my essay on NAC 2018 cited above and clearly identified in the Hellenistic temple of Horus in Edfu where the relative recognition, in comparing the coins with the existing original monument, it was facilitated not only by the series of four windows being on each tower of the pylon of the facade and the pair of Horus-falcons facing each other on the roofs of the towers (all elements also present here), but also by the anthropomorphic figure of the canonical Horus depicted above the portal between the two towers, flanked at his feet by the image of the falcon, his alter ego. In our case the figure is intentionally replaced by that of his mythical mother according to Egyptian theogony, i.e. Isis, flanked at the feet et pour cause, by Harpokrates, the child Horus. How can we not therefore deduce from these explicit and convincing clues that this too is a representation of the temple of Horus in Edfu, on whose walls Isis is repeatedly depicted? Finally, from the precise comparison of the reverses of the specimens with similar images known from the main published repertoires (Dattari-Savio and RPC III) but which do not show identity with ours, it is possible to hypothesize that this is the only one known that reproduces all the characteristics above described below.
Lot # 304 - Egypt. Alexandria. Trajan, 98. Drachm (Bronze, 35.60 mm, 23.89 g). Dated L I Γ= year 13 (109 / 110 AD) ΑΥΤ KAI TPAIAN CEB ΓEP ΔAKIK Laureate and draped bust of Trajan right. Rev. Anepigraph; in n the centre on the exergual line, a half-naked Triptolemus driving a chariot right pulled by two beneficial winged and paired Agathodaemones snakes with "pshent" crowns. Triptolemus is wearing an elephant leather cap and a light chlamys covering his shoulders. He holds a flap containing seeds in his left hand which he spreads towards the ground with his right hand; under the exergual line, the date, L I Γ. Vogt I, pp.78-79. Vogt II, p. 31. Dattari 1042, this coin. Geissen 541. RPC III 4454.1.2 this coin. Emmett 601. STAFFIERI, G. M., Alexandria in Nummis, pp. 127-128, Muzzano 2017. Very fine, regular and intact brown patina. Ex Giovanni Dattari Collection 1042, Il Cairo. Ex Naville Numismatics 45, 09.12.2018, lot 278. Trajan’s portrait is superb and shows all the solemn and composed calmness of the sovereign, a great leader and at the same time, enlightened head of state. It is a very rare coin (grade 5 according to Emmett). The Greek Eleusinian myth of Triptolemus is connected to that of Demeter, who in Egypt transforms into Isis-Demeter who protects and promotes the fertility of the Nile together with Triptolemus-Osiris. He is the legendary sower who here, stimulated by Demeter, flows to spread the seeds flying over the fields from Upper to Lower Egypt on the chariot pulled by the Egyptian Agathodaemones who here replace the dragons of the analogous Greek theology.
Lot # 305 - Egypt. Alexandria. Trajan, 98-117. Drachm (Bronze, 32.00 mm, 17.43 g). Dated L I Γ= year 13 (109 / 110 AD) ΑΥΤ KAI TPAIAN CEB ΓEP ΔAKIK Laureate and draped bust of Trajan right. Rev. Anepigraph. Isis-Demeter-Sothis, holding a torch in her right hand, is sitting on the right side on the back of a majestic dog that runs leaping towards the right, turning its head to the left; the goddess wears a chiton, peplos and basileion on her head; below and behind the dog you can see some clouds (?). In the field, at sides the date L I Γ. Vogt I, pp.116-120. Vogt II, p. 30. Dattari 929, this specimen illustrated at plate XXVII. RPC III 4408.2.3 this specimen. Emmett 533. Staffieri, G. M., Isis-Demetra-Sothis nella monetazione alessandrina, in “Annotazioni numismatiche” N. 30, pp. 693-697, Milano, 1998. Staffieri, G. M., Alexandria in Nummis, pp. 293-294, Muzzano 2017. Very Fine, the best possible for this coin's type. Ex Giovanni Dattari Collection 929, il Cairo. Ex Naville Numismatics 40, 27.05.2018, lot 365. It is the best preserved and legible drachm of the three known (see RPC III 4408.1.1/3) where on the rare reverse, it is shown the scene which interprets, in Egyptian theology, the astronomical-astrological association of Isis-Demeter in the star Sothis (the Roman Sirius), the brightest star in the Canis Major constellation, which justifies the depiction of the oversized dog on the coin, while the sidereal and non-earthly dimension of the scene is underlined by the unusual presence of the clouds behind and under the Canis Major. For further information on reverse meaning and iconography, please refer to above mentioned Giovanni Maria Staffieri texts.
Lot # 321 - Egypt. Alexandria. Trajan, 98-117. Drachm (Bronze, 33.26 mm, 21.76 g). Dated RY 19 (= 115/6). [ΑΥΤ ΤΡΑΙΑΝ Ϲ]ΕΒ ΓΕΡΜ [ΔΑΚΙΚ] Laureate head to right, aegis over far shoulder. Rev. Distyle Greco-Egyptian temple enclosing a cart with a barge, upon which rests a square shrine, surmounted by hawks, enclosing uncertain objects; [L]-IΘ (date) across fields. RPC III, 4951 note (RY 20) var. (wreathed with corn ears) and 4632 (RY 15). cf. Dattari-Savio 1159 (date recorded by Dattari as [L]-IΘ but unclear) and 7278. Emmett 426. Fine. Extremely Rare. Ex Giovanni Dattari Collection 1159. Ex Naville Numismatics Ltd. 47, 03.03.2019, lot 274. For the discussion of the potential dating of this issue, cf. RPC III 4632 note. G.M. Staffieri and M. Tosi, ‘La barca sacra di Osiri nella monetazione alessandrina’, in (eds.). D. Gerin and others, Aegyptiaca Serta in Soheir Bakhoum Memoriam (Edizioni Ennerre, Milan, 2008), pp. 229-35. The following article outlines how the design recurs in years 19 and 20, but see below. The design recurs on rare coins of Marcus Aurelius, year 16 (see RPC IV online, citing NY 1944.100.611341 and Münzhandlung Basel 6 (1936) lot 970; see also D3357-8, A Dem 2084). The object in the shrine on the coins of Trajan does not look like a mummy of Osiris (as on the coins of Aurelius), and is perhaps a representation of its external decoration (see e.g. the barge depicted by Staffieri and Tosi on their p. 235). A specimen was also described by D for year 19 (D1159: ‘[L I]Θ’), but the date is not clear on the rubbing in DS (and the obv. illegible), and it is probably safer to regard it as probably another coin of year 15. O815 is the same design, of year 20 (or possibly 19?).
Lot # 329 - Egypt. Alexandria. Hadrian, 117-138 AD. Tetradrachm (Billon, 23.41 mm, 13.22 g). Dated Λ ΔEKATOY = year 10 (125 / 126 AD) ΑΥΤ KAI TPAIA AΔPIA CEB Laureate, cuirassed and draped bust of Hadrian right, seen sideways from the back. Rev. L ΔE KATOY ( = year 120) The snakes Agathodaemons with “pshent” crown (left) and Uraeus with “basileon” or Isiac crown (right), both on the exergual line, erect and facing; in the folds of their tails, the first holds a caduceus (symbol of Hermanubis) and the second a sistrum (the emblem of Isis). Vogt I, p. 101. Vogt II, p. 48. BMC 668. Geissen 894-895. Dattari-Savio 7508 (same die). RPC III 5596.45, this specimen. Emmett 804. Staffieri, G. M., Alexandria in Nummis, pp.121-122 and 342-343, Muzzano 2017. Cf. Savio, Tetradrammi alessandrini, pp 77-81. Extremely Fine with high definition of details. Ex Numismatica Aretusa SA, (Franco Chiesa)1981. Tetradrachm minted with this reverse only in the tenth year of Hadrian's reign. The imperial portrait is of high artistic quality and certifies the serene majesty of the sovereign. The reverse refers to the Egyptian mythology of the facing pair of snakes: on the left the peaceful male Agazhodaermon sacred to Zeus-Sarapis and on the right the combative Pharaonic female Uraeus sacred to Isis which, together, indicate well-being and political stability, as well as fertility. In this rare example reported only by Dattari-Savio, the tails of the two snakes extend beyond the exergual line, accentuating the perspective and three-dimensionality of the scene.
Lot # 342 - Egypt. Alexandria. Hadrian, 117-138 AD. Drachm (Bronze, 34.51 mm, 28.44 g). Dated L I H = year 18 (133 /134 AD) ΑΥΤ KAIC TPAIANOC AΔPIANOC CEB Laureate, cuirassed and draped bust of Hadrian right, seen sideways from the back. Rev. Anepigraph. Isis Pharia is walking right towards the Lighthouse of Alexandria holding with hands and left foot three flaps of the unfolded sail. She is wearing chiton, peplos and basileon on her head while holding sistrum in her right hand and globus in her left. To right the rectangular towered shaped lighthouse with below the entrance portal and along the walls the round windows; at the corners of the upper terrace the statues of tritons playing buccina. On top of the lantern, the statue of Helios-Sarapis, deity of the light. In the field LIH = year 18. Vogt I, p. 105. Vogt II, p. 55. BMC 757 var. (without sistrum). Dattari 1767 p. 85 (same die). RPC III 5895.50 this specimen. Emmett 1002. Milne 1414. Staffieri, G. M., Alexandria in Nummis, pp. 149-150, Muzzano 2017. Extremely Fine for the type of the coin with brilliant green and brown patina. Ex B.A.Seaby Ltd. price list IX/88. This drachm is particularly valuable for its reverse where together with the mythical Isis Pharia the lighthouse of Alexandria is realistically reproduced, one of the famous Seven Wonders of the ancient world, now disappeared. His image was always taken in rare series also by some other Roman emperors and constitutes the only testimony of this extraordinary monument whose destruction and demolition contributed both nature with its earthquakes of 1303 and 1323 as well as the Arabs who conquered Egypt and built the fortress Qaitbey in its place. A clarification regarding the statue that dominates from the top of the lantern of the lighthouse: it is Helios-Sarapis greek-egyptian deity of light and not Poseidon god of the sea or Zeus or anything else.
Lot # 355 - Egypt. Alexandria. Antinous, favorite of Hadrian, died 130. Drachm (Bronze, 34.5 mm, 24.63 g). Dated RY 21 of Hadrian (= 136/7). [ΑΝΤΙΝΟΟΥ] ΗΡΩΟC Bare-headed and draped bust of Antinous wearing hemhem crown left. Rev. Antinous, holding caduceus, on horse right; L/KA (date) in field. Geissen 1281-2. Dattari 8013, p. 104 (this coin). Blum 22. RPC III, 6228/14 (this coin). Emmett 1346. Very nice portrait. Pierced twice, otherwise, nearly Very Fine. Very Rare. Ex Giovanni Dattari Collection 8013, Il Cairo. Ex Dr. Piero Beretta Collection, Milano, April 1972. This is one of the rare Alexandrian drachms of the best late Hellenistic style appropriately chosen by Giovanni Dattari for his famous anthological collection. It is undoubtedly one of the absolute masterpieces of the master engravers of the Alexandrian mint and worthily celebrates the tragic figure of the young bithinian man who was Hadrian's favourite from 123 A.D. and accompanied him on all his travels in the provinces of the empire, until he perished by drowning in the Nile in an accident that has never been clarified, during the emperor's visit to Egypt with his court. His death took a heavy toll on Hadrian's spirits and body, but he reacted by publicly honouring him with heroic and then divine honours, linking his death to the sacrifice of Osiris, founding the city of Antinopolis-Antinous at the site of his death, instituting the cult of Antinous with respective temples and priestly colleges, having countless statues of him sculpted, scattered and found especially in the eastern part of the empire, and finally having coins minted with his portrait by almost thirty provincial mints, first among all, Alexandria of Egypt. The reference texts of Alexandrian issues are those of Gustave Blum (Numismatique d'Antinoos, in "Journal International d'Archéologie Numismatique", tome seizième, pp. 33-70 + tavv. I-V, Athens 1914) and of Rainer Pudill (Antinoos: Münzen und Medallions, D-Regenstauf, 2014). For comparisons, see Staffieri, G. M. , Alexandria in Nummis, Nr. 95-100, pp. 192-201, Muzzano 2017.