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Banner Artemide LVII
Unpublished Control Symbol
Lot # 380 - M. Plaetorius M. f. Cestianus. AR Denarius, 67 BC. Obv. CESTIANVS. Turreted bust of Cybele right; behind, forepart of lion; before chin, globe. Bead and reel border. Rev. M PLAETORIVS AED CVR EX SC. Curule chair; to left, pump drill. Bead and reel border. Cr. 409/2 ; B. 3; Banti 5/9 (stilo). AR. 3.92 g. 19.00 mm. Sound metal and full weight. A superb example, sharply struck on a broad flan. Extremely rare control symbol. Enchanting iridescent old cabinet tone, with reddish hues. EF. The symbol 'pump drill' in this issue is unlisted by Babelon, Crawford and Banti and apparently unpublished. About the same symbol in L.Papius (Cr.384/1, symbol pair 204) cf. CNG 436,2019,  470 and the Andrew McCabe note: ' The symbol on the reverse is a pump drill composed of a drill shaft, a narrow board with a hole through the center, a weight (usually a heavy disc) acting as a flywheel, and a length of cord. The weight is attached near the bottom of the shaft and the hole board is slipped over the top. The cordage is run through a hole near the top of the shaft and affixed to either end of the hole board so that it hangs just above the weight. To use, one hand is placed on the hole board while the other turns the shaft to wind the cord around its length, thus raising the hole board to near the top where the cord becomes taut. Placing the tip against the material to be drilled and held upright, a smooth downward pressure is exerted on the board, causing the drill to rapidly spin. Once the bottom is reached, the weight is relieved, and the drill allowed to rebound, rewinding the cord around the shaft and the process is repeated. [...].' (Andrew McCabe).
Impressive Romulus Quirinus.
Lot # 401 - C. Memmius. AR Denarius, Rome mint, 56 BC. Obv. Laureate and bearded head of Romulus Quirinus right; on the left, QVIRINVS; on the right, C·MEMMI·C·F. Rev. Ceres seated right, holding torch and corn ear; on the rightt, snake; around, MEMMIVS·AED·CERIALIA·PREIMVS·FECIT. Cr. 427/2; B. 9 (Memmia). AR. 3.91 g. 19.00 mm. Scarce. Great metal and full weight. A superb example, well centred on a broad flan and brilliant, with underlying luster. Very minor areas of weakness, otherwise. EF. The obverse relates to the claimed origin of the gens Memmia from the Trojan Menestheus, through Romulus. The reverse (as well the previous obverse) refers to the Institution at Rome of the Ludi Cereales, festivals celebrated at Rome in honour of Ceres. 'In B.C. 493 the worship of Demeter (under the name of the old Italian goddess Ceres) was introduced at Rome by the direction of the keepers of the Sibylline books, and a temple was built in her honour (aedes Cereris Liberi Liberaeque, usually called aedes Cereris) near the Circus Maximus. The ritual was entirely Greek, the priestesses were Greeks, and the prayers offered were in Greek . In connexion with this worship, games were instituted under the direction of the plebeian aediles. The festival was properly a plebeian one, but the patricians were invited to take part in it . At first the games were held only on extraordinary occasions , but afterwards they were celebrated annually from the 12th to the 19th of April, the last day being called especially the Cerialia. This spring festival was intended to commemorate the return of Proserpine to earth; hence all who took part in it were dressed in white. No bloody sacrifice was permitted, except that of a sow; the offerings consisted of cakes, honey, and incense. It was celebrated with games in the circus, but with no scenic representations before the time of Augustus. On the last day there was in the country a procession round the fields , in the town a procession to the circus'. (A Dictionary of Greek and Roman Antiquities. William Smith, LLD. William Wayte. G. E. Marindin. Albemarle Street, London. John Murray. 1890).
Sulla's Dream
Lot # 435 - L. Aemilius Buca. AR Denarius, Rome mint, 44 BC (before 15 March, Caesar death). Obv. Diademed head of Venus right; on the left, L·BVCA. Rev. Sulla reclining right on rock; Selene descending left from mountain; Victory standing facing between, holding palm and branch. Cr. 480/1; B. 12 (Aemilia). AR. 3.62 g. 19.50 mm. RRR. An attractive example of this very rare and fascinating issue. Sound metal and broad flan. Minor areas of weakness and tiny scratch on obverse, otherwise. good VF. Plutarch relates that while Sulla was marching on Rome in 82 BC, “It is said, also, that there appeared to Sulla himself, in a dream, a certain goddess, whom the Romans learnt to worship from the Cappadocians, whether it be the Moon, or Pallas, or Bellona. This same goddess, to his thinking, stood by him, and put into his hand thunder and lightning, then naming his enemies one by one, bade him strike them.” The lack of any warlike thunderbolts and the improbability that Luna was the goddess involved, would seem to indicate that the reverse scene of this coin is not a representation of such an insignificant event as the vaguely reported dream of Sulla. It is also much more likely that the protagonist goddess of the reputed dream was the early Roma war goddess Bellona, identified with Ma the Mother Goddess of Cappadocia. The earlier suggestion by Babelon and Oman that the reverse scene represents the myth of Selene, who fell in love with the handsome shepherd Endymion and caused her father Zeus to cast him into eternal sleep in a cave on Mount Latmos, does not explain the presence of Victory in the background. An alternative interpretation for this scene is that it is a very early Caesarian posthumous issue portraying the apotheosis of Julius Caesar. A victorious and heroic figure reclining on a bier greeted by Luna, patroness of Caesar’s great public spectacles, with the upright torch of immortality, may be seen as indicating the Divus Julius. (Italo Vecchi, CNG 66, 2004, 1321).